
2007 was a very different time. The iPhone didn’t exist yet, Anna Nicole Smith and Kurt Vonnegut would still be with us a little while longer, and The Shins were still releasing albums. It’s been a long time coming, but the band’s time off was time well spent. Ports of Morrow is a triumphant return for a band none of us even realized we missed.
This album is definitively The Shins. It is the same band that was playing when we all suddenly realized we loved Natalie Portman. The same band that helped spark our love for dreamy indie rock in the mid 2000s. The same band we listened to while we smoked pot in run-down college apartments, where the peeling lead paint followed our sobriety and James Mercer’s strumming.
I’m getting ahead of myself and more than a little awash in fond nostalgia. It’s great to have The Shins back but like the best friend from college you haven’t seen in years, it is a little awkward. You’ve both changed; maybe not for the better, maybe not for the worse. Things just aren’t the same.
Upon first re-introductions, you aren’t sure what to make of it. It’s familiar, but…
All the elements that make “The Shins” The Shins are here in one form or another, largely fueled by James Mercer’s uniquely beautiful crooning. Still, it isn’t quite as you remember it. The drums feel a little more prominent. There are wavy synthesizers buried in the background. The production is a little clearer, a little tighter, than we are used to.
It isn’t better, it isn’t worse. It just isn’t the same.
Maybe towards the end of your first play-through of the album, you start to warm up to it. Maybe it takes a second visit before you are comfortable with it. Eventually, if you are open to it, after all these years, you realize just how much you’ve missed The Shins.
This is a good album. Chutes Too Narrow was the band’s magnum opus, a level they will never be able to reach again; I am okay with that. The Bulls still won championships after their 72-10 season. Tarantino will never make another Pulp Fiction, but Inglourius Basterds was a great movie. You and your buddy will never forget carrying cases of beer for two miles through the Smokey Mountains, but that wasn’t the end of the good times.
In the same vein, The Shins have Port Of Morrow, and that is unquestionably a good thing.
You’ve long since moved into a comfy loft with vibrantly-painted walls. You’ve traded the bong for a 9-5 job where you probably wear a tie and look like your dad. Natalie Portman has a kid.
Things may have changed, but this is still the band you remember. It’s good to have them back in your life.
The Bottom Line
85/100 – Welcome back.
Listen To
Simple Song, the first single
It’s Only Life, as featured on SNL

